Accomplishment!!

I am a proud woman. For some reason, finishing a lace project makes me feel like a superior human being. I understand that many sweaters and other projects are more challenging, warmer and infinitely beautiful. But, I happen to find great satisfaction in knitting lace.

For many years I have wanted to make a piece de resistance and I have worked my way ever upwards in complexity and ever downwards in thickness of yarn. I'm almost there.

I finally finished Sivia Harding's Shetland Garden Faroese Shawl out of Cashwool. And I added a knit on lace edging rather than the garter stitch and cast off that she called for. If I must say so, I think my ultimate product is outstanding! Beautiful! A work of supreme diligence and patience! And the mistakes are hard to find!!! (Many, many thanks to Jo of Celtic Memory Yarns who encouraged me to leave two of the mistakes in the shawl. They would have been cumbersome and unsatisfactory to fix. And, I dare you to find them!!)

Best of all, the shawl is a true wedding ring shawl: I can pull it all through my wedding ring!! For some reason, I have always wanted a shawl so fine that I can pull it through a wedding ring!!
This photo and the one above capture the true color, called "ocean."

This and the following photos are terrible on color, but show the lace. This is a field of leaves, outlined by fan ferns.
This is the rose trellis and the leaf border I added.


A little demonstration of the drapiness of the shawl.
And a view of one side.

Here is the shaping of the faroese styling. After a bit of the blocking.



And, the horrifying mess before getting it all pinned out.

This is the point where I do a lot of praying. Such a blob of twisted and interlaced thread. Who would imagine that this blob would be a thing of beauty?? This is why knitting lace makes me a superior human being. ;) Who else would have faith that the thousands of hours knitting have not been in vain? Who else would have faith that the thing will not fall apart when taken out of the sink? Who else would dare to wear the shawl, fearing that it would be caught on an errant nail, or a twig, or a sliver of wood?

Only a knitter would have faith and daring to make, block and wear a lace shawl--and not put it away in a drawer wrapped perpetually in tissue paper. Which is why I did not give the shawl to my mother. I couldn't part with it. I thought she would save it "for good", fearing to wear it lest it get caught, tangled or harmed. I plan to wear this shawl as soon as the Wisconsin weather gets a bit warmer--when I can throw it casually over my shoulders and have it billow behind me as I walk outside. With a carefree toss of my head, I will reply to compliments with, "Oh, this? I made it!"

Holes in the walls, in the knitting and in my head

Normally, at this time of year in Wisconsin, the ground is covered in snow and ice and we need to wear warm wool hats, mittens and scarves when we venture out of the house. Some of us also wear hats, mittens and scarves inside of our homes because our old windows leak dreadfully. Fortunately, earlier this week Great Mother Earth blessed us with a 50F day--the same day that the Window Men came to remove most of the windows in our house, leaving large gaping holes in our walls. Two capable, strong, polite and handsome young men arrived at 8:00 a.m. and proceeded to efficiently remove the 60 year old single pane windows that let in so much cold air that we needed to wear wool mittens to wash dishes! (Well, not really, but you get the idea.)
The day was so warm that I considered telling the young men to leave the holes in the walls for a few days--just so we could enjoy the unseasonable warmth. But, they had a job to do and they climbed right up on top of my sink and installed the new window!

The window installation is almost done. Just a few more trim strips and some finish work on the outside of the house and we will be cozy warm inside when the next blast of arctic air swoops down on us. No more holes.

The efficient creation of gaping holes in our walls followed by prompt installation of the windows is in sharp contrast to my progress on the Shetland Garden Faroese Shawl. Although I tried and tried to make sure that every stitch was perfect, sometimes the cobweb laceweight yarn conspired with some evil force to make a neatly twisted yarn over into a gaping hole.

Look above to the "southeast" of my knuckle. The line of nice, neat faggoting type yarn overs is broken by that large hole.
And in another spot the yarn over line is broken by a wayward sideways "ladder". I have no idea of what happened. Did I notice the mistake when doing that row and fall victime to the "blocking-will-take-care-of-that" syndrome? Or, did I miss the mistake altogether?

Now what do I do? These hole-y mistakes are tens of thousands of stitches away from where I am now. They sicken me. Can I fix the mistakes by the judicious use of after-the-fact darning? Or, do I pretend the mistakes aren't there?

I've been in the denial. Actually, I've been focusing on a rather inspired (even if I say so myself) decision to change the edging of the shawl. Sivia Harding, the designer, called for about 3-5 ridges of garter stitch along the 453 stitch long edge, followed by binding off!!! I couldn't do it. So, I searched and searched for an edge lace that would complement the stitch patterns in the shawl.

The patterns in the body of the shawl include roses inside of a trellis.
And pretty little flowers and leaves.


I took my stack of lace books to our Guild's weekend Knitting Retreat. Finally, I happened upon a pattern in "Victorian Lace Today." The shawl has the uninspired name of "Large Rectangle" on page 54. The knitted on edging is called "trellis border". OK, I thought that would be lovelier than three ridges of garter stitch.
Knitting on a border is quite simple, actually, in concept. You knit perpendicularly to the live edge stitches, knitting one stitch of the border with one of the live edge stitches in every other row. Easy, right? Well, I neglected to do the simple math ahead of time. If I had done so, I may have had second thoughts.

Six rows of garter stitch--to produce three ridges--over 453 or so stitches per row would have been 2,718 stitches, plus bind off of 453 stitches--meaning 3171 stitches until completion.

OK, my "simple" knitted border solution has approximately 25 stitches per row in an 18 row pattern repeat. This is a total of 450 stitches per pattern repeat. One "eats up" only 9 live shawl stitches per pattern repeat. So, 453 divided by 9 is about 50--pattern repeats that is. So, 50 times 450 is 22,500 stitches!!!! I must have holes in my head!!

My solution to avoid the constricting bind off of garter stitches has resulted in 19,329 extra stitches!!!

But, it's lovely, don't you think?? After two weeks of work, I have only 10 pattern repeats to go. Let's see, that's 4,500 stitches....
And then, I need to focus on fixing the yarn over hole issues and this dropped stitch.

Do NOT follow my example

This post is a lesson to lace knitters. If you are dutiful, you will follow my recommendation and learn from my painful lesson. If you are like me, well......read on.

I have been working on Sivia Harding's gorgeous Shetland Garden Faroese Shawl for months. Well, not consistently. I took it along for a two week car trip and quickly discovered that the slight rumbling of the car on the road made it impossible to do lace knitting with cobweb laceweight yarn. I'm using Cashwool color 988 ocean. Therefore, I waited to begin the shawl until I was on the steady unmoving sofa in my family room.

The pattern is challenging in that there are three or four designs in each row. One cannot simply memorize each row's pattern repeat and hum the mantra until the end of the row. One must slavishly follow the charts--at least I must.

So, after about 119 rows, progressing through various charts to Chart F, and repeating rows 24 to 39 of Chart "Center Panel" 6 times (are you with me??) I got to row 120.
It is "clear as day" on this fuzzy photo that after working rows 24 to 39 six times, one goes up to row 120 for the center panel. You can see that I use Post It notes to keep my place moving the note up each row, showing all previous rows. I guess you had to be there at the time because this was NOT clear to me. For some now inexplicable reason I returned to row 24 of the center panel and worked that along with rows 122 to 126 of the pattern. When thousands (!!) of stitches on my needle, I looked at the lovely photo of the shawl. I then realized that my Post-It note was hiding row 120 and I needed to rip back 6 times about 300 (or so) cobweb stitches that liked to enthusiastically fly off the needles when I wasn't looking.

"Oh, easy," you experienced knitters say, "Just rip back to your lifeline." I am an experienced knitter, but I tend to work without a safety net! No lifeline. Nada. Ningun. Rien. Rip, baby, rip!

Aha, I thought. I will just rip out the center panel stitches, put them on another needle and work back up. Theoretically, this sounded just fine. In practice....

After dropping back the stitches, here is what I had. Angel hair spaghetti strands, all wrapped around each other.

So, I tried to separate them.
Can you tell which is the bottom yarn?? Each time I thought I had the bottom-most yarn on one side of the center panel, it wasn't the bottom-most yarn on the other side.

I finally selected the order of the yarns, found new needles of the same size, and began to work my way back up.


After hours of ripping, sorting, taking time-outs to calm down, and drinking strong beverages, I worked back the rows. The inside of the panel was fine, but the side column of yarn overs was pure trash. Trash, trash, trash!! How did that happen?? I followed the chart exactly. Honest!
Do you think blocking would work it out? I almost convinced myself that it would, and I went to bed.
The next morning I ripped back again, used straight needles and worked back up.


Still trash on the sides.

Time to rip out six complete rows. Time for a retro-fit life line.
I threaded a needle with leftover sock yarn and tried to follow a straight line of stitches from one side of the shawl to the other.

This is harder, much harder, much, much harder, than one would think. Looks as if I had been drinking the Yarn Harlot's screech rather than some herbal tea.
As I worked my way along, dis-assembling the shawl stitch by stitch, I made another heart stopping discovery. I had actually pierced the shawl yarn in some places when making my lifeline. What are the odds?? The cashwool is about 1/4 the thickness of the sock yarn. I used a blunt needle. I cried.

When I had all seven or so rows ripped back I looked at the tangled web of yarn and cried some more. Then, I put down the camera and set to work untangling and rewinding the yarn.

I have now worked correctly to row 150. There are now 429 stitches on the needle. Surely, you say, you must have numerous life lines in the work!! Nope. Nada. Ningun. Rien. Non! I have continued to work foolishly without a safety net!! I'm following the chart in careful numerical order. I only have 25 more rows to go and then I do the applied border!! Lifelines take too much time............ I won't make another mistake that I can't fix!!!

Stay tuned.